SHOW CONTROL · macOS
On the beat. On the frame. On your GO.
DJ follows the music. Theatre runs a cue list on timecode or your GO. Production does both in one show file. Every cue reaches your lighting, video, playback and graphics together.
macOS 12+ · Apple silicon · Free account, no card · Live output needs a paid edition
Three editions
Every edition reaches every output: lighting, video, playback, lasers and game engines. Choose the one that matches what sets the pace of your show.
The show follows the music.
For club, festival and touring DJs.
The DJ flowA cue list on timecode, or your GO.
For theatre, touring productions and corporate shows.
The Theatre flowBoth, in one show file.
For festivals, events, fashion shows and nights that change format.
The Production flowSee each one in the app
On show night
A cue fires because the show arrived somewhere: a drop, a phrase, a timecode, the stage manager’s GO. Not because a fixed number of beats went by.
Session Sync previews every command before it sends one and keeps every cue number on the desk. Each lane can also go across as its own sequence, with one Timecode object calling them all.
Cue sheets as PDF, HTML, CSV and Markdown that open without CueSync, for everyone who reads the show.
| Document | For |
|---|---|
| Operator cue list | Every cue, in running order |
| Department sheet | One department's cues |
| Lighting · Media · Sound | A list for each desk |
| Calling script | The stage manager's book |
| Running order | The director's page |
Rehearse with or without outputs. Back, Pause and Stop each take a double-press, and panic blacks the rig out and holds it there.
Single-purpose tools each cover one slice: DMX from a DJ app, lights from timecode, cue playback. CueSync sits between the performance and all of them: one cue reaches the desk, the media server, playback and the lasers together, from the booth or from the call. Every output, in every edition. See how it compares.
Beyond the operator
A cue light and countdown on every tablet. Each department sees its current and next cue, and the stage manager’s STANDBY and GO.
The decks, the phrase and what AutoPilot will do next, on a second screen.
Prepare the show together in the browser, on one waveform, with sign-off on every cue.
Phones join a scripted show by scanning a code. No app.
A Stream Deck, a Launchpad or any MIDI controller drives your pads directly: plug it in, switch it on in Settings, and no other software is needed.
Unreal Engine
The free plugin follows your cues and your timecode, so the virtual stage runs on the same show as the real one. RigSync and three fixture packs build and light the rig.
Free on Fab · Unreal Engine 5.8 · driven by the CueSync app on a Mac
| Cues | What is live in the show is live in the engine; a jump back reverts with the timeline |
|---|---|
| Timecode | Level Sequences chase the show’s clock |
| Music | Beat, bar, energy, key and phrase, for any material or Niagara system |
Editions
Every edition connects to every output. They differ in what sets the pace: the music, a script and a clock, or both.
Audio-reactive: the show follows the music.
billed annually · or $30/mo monthly · excl. tax
Cue list and timecode: one show, every department.
billed annually · or $32/mo monthly · excl. tax
Both in one show: audio-reactive sets and a cue list.
billed annually · or $55/mo monthly · excl. tax